But Our Life Depends on What's Real
While the famous names of that journalistic common- place called the New German Cinema drew much from his films [...] Schroeter himself was left to one side, consigned to the role of visionary outcast realizing works often described as “high camp” in a tone that barely concealed a disdain for the queer non-conformist. He is a filmmaker with no place.
While the famous names of that journalistic common- place called the New German Cinema drew much from his films [...] Schroeter himself was left to one side, consigned to the role of visionary outcast realizing works often described as “high camp” in a tone that barely concealed a disdain for the queer non-conformist. He is a filmmaker with no place.
While the famous names of that journalistic common- place called the New German Cinema drew much from his films [...] Schroeter himself was left to one side, consigned to the role of visionary outcast realizing works often described as “high camp” in a tone that barely concealed a disdain for the queer non-conformist. He is a filmmaker with no place.