In Eldon Garnet’s Lost Between the Edges, a feverish intellectual, frustrated by the failures of government, acts alone to eliminate an infamous Holocaust denier.  The protagonist, know only as X, a renegade academic and punk intellectual, puts his radical ideas into civil action by firebombing the headquarters of Ernst Zundel, publisher of Did Six Million Really Die?

With its incisive critique and use of real documentation, Lost Between the Edges blurs the boundaries between fact and fiction. Garnet, like Sebald before him, uses factual documentation of dubious authenticity. But as the novel continues, its story becomes so potent that we find its truth lies not in the trappings of the real but in the emotional and intellectual reality of its expression.  Garnet reveals the illusory nature of facts, to not only show how they dazzle, but also how they destroy.

Lost Between the Edges captures the energy and verve of youth in revolt, fired by rage and ideas. Combining the psychological power of Dostoyevsky's Notes from the Underground with the raw, emotional force of Fight Club, Garnet's book is a new classic of symbolic warfare waged in the street and the mind.

“Garnet knows how to structure a narrative – not only in the books he has written, but in his visual work. His photographs are directly and viscerally involved with the bodies of those he is photographing – with their meat, their organs. His work … demonstrates something that we haven’t seen before, that we are not prepared to categorize.”

Paul Groot, Canadian Art