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Mumia Abu-Jamal
Kathy Acker
Erje Ayden
Jean Baudrillard
Barbara Barg
Bernadette Corporation
Dhoruba Bin Wahad
William Burroughs
Pierre Clastres
Maurice G. Dantec
Gilles Deleuze
Jane DeLynn
Tony Duvert
Shulamith Firestone
Bob Flanagan
Michel Foucault
Eldon Garnet
Rainer Ganahl
Veronica Gonzalez
Félix Guattari
Amira Hass
Fanny Howe
Luce Irigaray
Alain Joxe
Liz Kotz
Chris Kraus
Julia Kristeva
Jurg Laederach
Sylvère Lotringer
Jean-François Lyotard
Christian Marazzi
Cookie Müeller
Heiner Müller
Eileen Myles
François Peraldi
David Rattray
Gerald Raunig
Suely Rolnik
Ann Rower
Assata Shakur
Michelle Tea
Lynne Tillman
Masha Tupitsyn
Paul Virilio
Paolo Virno
Mark von Schlegell
David Wojnarowicz
Heather Woodbury
Nina Zivancevic
Chris Kraus

I Love Dick
Forword by Eileen Myles, Afterword by Joan Hawkins

"Between 9:30 and 11:30 I tried your number four more times but hung up on your machine. At 1:45 a.m. I tried again, your line was busy. At 2:05 I called again and finally reached you. At first your voice was cold, detached. You said you couldn't really talk, but then you did, you did. ... Oh Dick, I want to be an intellectual like you!"


“Ever since I read I Love Dick, I have revered it as one of the most explosive, revealing, lacerating, and unusual memoirs ever committed to the page ... never less than genuine ... and completely illuminating about the life of the mind.”
— Rick Moody

In I Love Dick, published in 1997, Chris Kraus, author of Aliens & Anorexia , Torpor , and Video Green , opened up a new era of writing by boldly tearing away the veil that separates fiction from reality and privacy from self-expression. No wonder it instantly elicited violent controversies and also a host of passionate admirers.

The story is gripping enough: in 1994 a married, failed independent filmmaker, turning forty, falls in love with a well-known theorist and endeavors to seduce him with the help of her husband. But when the theorist (a colleague of her husband) refuses to answer her letters, the husband and wife begin to write a series of letters to one another instead--detailing the imaginary fling the wife wishes to have with Dick. What follows is a breathless pursuit that takes the woman across the American continent and away from her husband, and finally far beyond her original infatuation into a discovery of the transformative power of first person narrative. Breaking through into honesty whatever the consequences, Kraus paradoxically becomes a-personal and heroic, almost prophetic in its embrace of the world outside.

I Love Dick is a manifesto for a new kind of feminist who isn't afraid to burn through her own narcissism in order to assume responsibility for itself and for all the injustice in world. It is the kind of book that you can't put down before you finish reading it all and turns you into another person, just like the writer herself.

"Ever since I read I Love Dick, I have revered it as one of the most explosive, revealing, lacerating, and unusual memoirs ever committed to the page ... I Love Dick is never a comfortable read, and it is by turns exasperating, horrifying, and lurid, but it is never less than genuine, and often completely illuminating about the life of the mind."

-- Rick Moody, Post Road

 

I Love Dick

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“If America were to fling up a chain of roadside motels to be used as a needed neon refuge for girls too smart for their own good, the writings of Chris Kraus would be the bitterly comforting Gideon Bibles tucked into the bedside.”
— Michelle Tea

“Devastatingly funny and sublime... a new classic.”
— The Seattle Stranger

“Unexpectedly riveting.”
— Bookforum

“Chris Kraus' first novel, I Love Dick, reads like Madame Bovary as if Emma had written it. Kraus spins out the Emma-syndrome of dissatisfied feminine boredom through a chronicle of the '80s art world… Kraus has certainly invaded privacy -- particularly her own. What she has pillaged from the padded cell of "the personal" is transformed into an exceptional literature by virtue of the author's erudition and consciousness of literary form. Kraus' spectacularly exploitative project is rich in thought and style, not to mention scandal.”

–Giovanni Intra
Artnet